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Please read the complete guidelines before nominating.

This is a summary of what to look for when submitting and reviewing FP candidates:

• Scope – In addition to falling within the Commons scope, candidates must be static two-dimensional images. All other types of files should be nominated at Commons:Featured media candidates.

• Licensing – Images licensed with solely "GFDL" or "GFDL and an NC-only license" are not acceptable due the restrictions placed on re-use by these licenses.

• Resolution – Raster images of lower resolution than 2 million pixels (pixels, not bytes) are typically rejected unless there are strong mitigating reasons. This does not apply to vector graphics (SVGs).
  • Graphics on Commons are not only viewed on conventional computer screens. They may be used in high-resolution print versions, and the images may be cropped to focus on portions of the image. See Commons:Why we need high resolution media for more information.

• Scans – While not official policy, Help:Scanning provides advice on the preparation of various types of images that may be useful.

• General quality – pictures being nominated should be of high technical quality.

• Digital manipulations must not deceive the viewer. Digital manipulation for the purpose of correcting flaws in an image is generally acceptable, provided it is limited, well-done, and not intended to deceive.
  • For photographs, typical acceptable manipulations include cropping, perspective correction, sharpening/blurring, and color/exposure correction. More extensive manipulations, such as removal of distracting background elements, should be clearly described in the image text, by means of the {{Retouched picture}} template. Undescribed or mis-described manipulations which cause the main subject to be misrepresented are never acceptable. For images made from more than one photo, you can use the {{Panorama}} or {{Focus stacked image}} templates.
  • For historic images, acceptable manipulations might include digitally fixing rips, removal of stains, cleanup of dirt, and, for mass-produced artworks such as engravings, removal of flaws inherent to the particular reproduction, such as over-inking. Careful color adjustments may be used to bring out the original work from the signs of ageing, though care should be taken to restore a natural appearance. The original artistic intent should be considered when deciding whether it is appropriate to make a change. Edits to historic material should be documented in detail within the file description, and an unedited version should be uploaded and cross linked for comparison.

• Value – our main goal is to feature most valuable pictures from all others. Pictures should be in some way special, so please be aware that:
  • almost all sunsets are aesthetically pleasing, and most such pictures are not in essence different from others,
  • night-shots are pretty but normally more details can be shown on pictures taken at daytime,
  • beautiful does not always mean valuable.

There are many different types of non-photographic media, including engravings, watercolors, paintings, etchings, and various others. Hence, it is difficult to set hard-and-fast guidelines. However, generally speaking, works can be divided into three types: Those that can be scanned, those that must be photographed, and those specifically created to illustrate a subject.

Works that must be photographed include most paintings, sculptures, works too delicate or too unique to allow them to be put on a scanner, and so on. For these, the requirements for photography, below, may be mostly followed; however, it should be noted that photographs which cut off part of the original painting are generally not considered featurable.

Works that may be scanned include most works created by processes that allow for mass distribution − for instance, illustrations published with novels. For these, it is generally accepted that a certain amount of extra manipulation is permissible to remove flaws inherent to one copy of the work, since the particular copy – of which hundreds, or even thousands of copies also exist – is not so important as the work itself.

Works created to serve a purpose include diagrams, scientific illustrations, and demonstrations of contemporary artistic styles. For these, the main requirement is that they serve their purpose well.

Provided the reproduction is of high quality, an artwork generally only needs one of the following four things to be featurable:

• Notable in its own right: Works by major artists, or works that are otherwise notable, such as the subjects of a controversy.

• Of high artistic merit: Works which, while not particularly well known, are nonetheless wonderful examples of their particular type or school of art.

• Of high historic merit: The historical method values very early illustrations of scenes and events over later ones. Hence, a work of poor quality depicting a contemporaneous historical event can be nonetheless important, even if the artistic merit is relatively low. Likewise, scans or photographs of important documents – which may not be at all artistic – nonetheless may be highly valuable if the documents are historically significant. The reason for the image's historical importance should be briefly stated in the nomination, for those reviewers unfamiliar with the subject.

• Of high illustrative merit: Works that illustrate or help explain notable subjects, for instance, illustrations of books, scientific subjects, or technical processes. The amount of artistic merit required for these will vary by subject, but, for instance, an illustration that makes the working of a complicated piece of machinery very clear need not be notable as a piece of artwork as well, whereas an illustration for a book might well be expected to reach much higher artistic standards.

Digital restorations must also be well documented. An unedited version of the image should be uploaded locally, when possible, and cross-linked from the file description page. Edit notes should be specified in detail, such as "Rotated and cropped. Dirt, scratches, and stains removed. Histogram adjusted and colors balanced."

On the technical side, we have focus, exposure, composition, movement control and depth of field.

• Focus – every important object in the picture should normally be sharp.

• Exposure refers to the shutter diaphragm combination that renders an image with a tonal curve that ideally is able to represent in acceptable detail shadows and highlights within the image. This is called latitude. Images can be on the low side of the tonal curve (low range), the middle (middle range) or high side (upper range). Lack of shadow detail is not necessarily a negative characteristic. In fact, it can be part of the desired effect. Burned highlights in large areas are a distracting element.

• Composition refers to the arrangement of the elements within the image. The "Rule of thirds" is one useful guideline. Horizons should almost never be placed in the middle, where they "cut" the image in half. Often, a horizon creating a top or bottom third of the space works better. The main idea is to use space to create a dynamic image.
  • Foreground and background – foreground and background objects may be distracting. You should check that something in front of the subject doesn't hide important elements and that something in background doesn't spoil the composition (for example that the streetlight doesn't "stand" on someone's head).

• Movement control refers to the manner in which motion is represented in the image. Motion can be frozen or blurred. Neither one is better than the other. It is the intention of representation. Movement is relative within the objects of the image. For example, photographing a race car that appears frozen in relation to the background does not give us a sense of speed or motion, so technique dictates to represent the car in a frozen manner but with a blurred background, thus creating the sense of motion, this is called "panning". On the other hand, representing a basketball player in a high jump frozen in relation to everything else, due to the "unnatural" nature of the pose would be a good photograph.

• Depth of field (DOF) refers to the area in focus in front of and beyond main subject. Depth of field is chosen according to the specific needs of every picture. Large or small DOF can either way add or subtract to the quality of the image. Low depth of field can be used to bring attention to the main subject, separating it from the general environment. High depth of field can be used to emphasize space. Short focal length lenses (wide angles) yield large DOF, and vice versa, long focal lenses (telephotos) have shallow DOF. Small apertures yield large DOF and conversely, large apertures yield shallow DOF.

On the graphic elements we have shape, volume, color, texture, perspective, balance, proportion, noise, etc.

• Shape refers to the contour of the main subjects.

• Volume refers to the three dimensional quality of the object. This is accomplished using side light. Contrary to general belief, front lighting is not the best light. It tends to flatten subject. Best light of day is early morning or late afternoon.

• Color is important. Oversaturated colors are not good.

• Texture refers to the quality of the surface of the subject. It is enhanced by side lighting… it is the "feel" to the touch.

• Perspective refers to the "angle" accompanied by lines that disappear into a vanishing point that may or may not be inside the image.

• Balance refers to the arrangement of subjects within the image that can either give equal weight or appear to be heavier on one side.

• Proportion refers to the relation of size of objects in picture. Generally, we tend to represent small objects small in relation to others, but a good technique is to represent small objects large contrary to natural size relationship. For example, a small flower is given preponderance over a large mountain…. This is called inversion of scales.

Not all elements must be present. Some photographs can be judged on individual characteristics, that is, an image can be about color or texture, or color AND texture, etc.

• Noise refers to unwanted corruption of color brightness and quality and can be caused by underexposure. It is not a desirable quality and can be grounds for opposition.

• Symbolic meaning or relevance … Opinion wars can begin here … A bad picture of a very difficult subject is better than a good picture of an ordinary subject. A good picture of a difficult subject is an extraordinary photograph.

Images can be culturally biased by the photographer and/or the observer. The meaning of the image should be judged according to the cultural context of the image, not by the cultural context of the observer. An image "speaks" to people, and it has the capacity to evoke emotion such as tenderness, rage, rejection, happiness, sadness, etc. Good photographs are not limited to evoking pleasant sensations …

You will maximise the chances of your nominations succeeding if you read the complete guidelines before nominating.

Please nominate videos, sounds, music, etc. at Commons:Featured media candidates.

If a group of images are thematically connected in a direct and obvious way, they can be nominated together as a set. A set should fall under one of the following types:

• Faithful digital reproductions of works notable in their own right, which the original author clearly intended to be viewed as a set. Examples: pages in a pamphlet, crops (puzzle pieces) of a prohibitively large scan, a pair of pendant paintings. Not acceptable: Arbitrary selection of sample works by an artist.

• A sequence of images showing the passage of time. They could depict frames of a moving/changing object or a static object during different times of day or different seasons. Examples: diagrams illustrating a process, steps of a dance, metamorphosis of an insect, maps/drawings/photos of the same subject over the years (frame of view should be more or less the same).

• A group of images depicting the same subject from different viewpoints, preferably taken under the same lighting conditions when possible. Examples: Exterior and interior of a building, different facades of a building, different interior views, obverse and inverse of a banknote/coin. Not acceptable: A selection of different rooms in a skyscraper, the facade of a church plus an organ, any images of fundamentally different scopes.

• A group of images which show all possible variations of a particular class of object. Examples: Male and female versions of an animal (preferably in the same setting), all known species of a genus. Not acceptable: A few breeds of cats (unless they share a defining characteristic and represent all possible examples of that).

If you believe that you have found or created an image that could be considered valuable, with appropriate name, quality, image description, categories and licensing, then do the following.

Step 1: copy the image name into this box, after the text already present in the box, for example, Commons:Featured picture candidates/File:Your image filename.jpg. Then click on the "create new nomination" button.

All single files:

Step 2: follow the instructions on the page that you are taken to, and save that page.

Step 3: manually insert a link to the created page at the top of Commons:Featured picture candidates/candidate list: Click here, and add the following line to the TOP of the nominations list:

{{Commons:Featured picture candidates/File:Your image filename.jpg}}

Galleries and FP categories: Please add a gallery page and section heading from the list at Commons FP galleries. Write the code as Page name#Section heading. For example: Commons:Featured pictures/Sports#Individual sports An image will only appear ONE time in the galleries. After a successful nomination, the image can be placed in several of the Featured pictures categories.

Optional: if you are not the creator of the image, please notify them using {{subst:FPC-notice|Your image filename.jpg}} -- ~~~~.

Note: Do not add an 'Alternative' image when you create a nomination. Selecting the best image is part of the nomination process. Alternatives are for a different crop or post-processing of the original image, or a closely related image from the same photo session (limited to 1 per nomination), if they are suggested by voters.

Editors whose accounts have at least 10 days and 50 edits can vote. Everybody can vote for their own nominations. Anonymous (IP) votes are not allowed.

You may use the following templates:

• {{Support}} ( Support),
• {{Oppose}} ( Oppose),
• {{Neutral}} ( Neutral),
• {{Comment}} ( Comment),
• {{Info}} ( Info),
• {{Question}} ( Question),
• {{Request}} ( Request).

You may indicate that the image has no chance of success with the template {{FPX|reason - ~~~~}}, where reason explains why the image is clearly unacceptable as a FP. The template can only be used when there are no support votes other than the one from the nominator.

A well-written review helps participants (photographers, nominators and reviewers) improve their skills by providing insight into the strengths and weaknesses of a picture. Explain your reasoning, especially when opposing a candidate (which has been carefully selected by the author/nominator). English is the most widely understood language on Commons, but any language may be used in your review. A helpful review will often reference one or more of the criteria listed above.

Unhelpful reasons for opposing include:

• No reason
• "I don't like it" and other empty assessments
• "You can do better" and other criticisms of the author/nominator rather than the image

Remember also to put your signature (~~~~).

Over time, featured picture standards change. It may be decided that for some pictures which were formerly "good enough", this is no longer the case. This is for listing an image which you believe no longer deserves to be a featured picture. For these, vote:

Text to use	Displays as	Meaning
{{Keep}}	Keep	It deserves to remain a featured picture.
{{Delist}}	Delist	It does not deserve to be a featured picture anymore.

This can also be used for cases in which a previous version of an image was promoted to FP, but a newer version of the image has been made and is believed to be superior to the old version, e.g. a newly edited version of a photo or a new scan of a historical image. In particular, it is not intended for replacing older photos of a particular subject with newer photos of the same subject, or in any other case where the current FP and the proposed replacement are essentially different images. For these nominations, vote:

Text to use	Displays as	Meaning
{{Keep}}	Keep	Do not replace the old image with the new image as a FP.
{{Delistandreplace}}	Delist and replace	Replace the current FP with the proposed replacement.

If you believe that some picture no longer meets the criteria for FP, you can nominate it for delisting, copying the image name into this box, after the text already present in the box:

In the new delisting nomination page just created you should include:

• Information on the origin of the image (creator, uploader);
• A link to the original FP nomination (it will appear under "Links" on the image description page);
• Your reasons for nominating the image and your username.

After that, you have to manually insert a link to the created page at the top of Commons:Featured picture candidates/candidate list.

As a courtesy, leave an informative note on the talk page(s) of the original creator, uploader(s), and nominator with a link to the delisting candidate. {{subst:FPC-notice-removal}} can be used for this purpose.

1. The voting period is 9 complete days counted from the nomination. After the end of this period the result will be determined. Votes added on day 10 and after are not counted.
2. Nominations by anonymous contributors are welcome.
3. Contributions to discussion by anonymous contributors are welcome.
4. Only registered contributors whose Commons accounts have at least 10 days and 50 edits can vote. Exception: registered users can always vote in their own nominations no matter the account age and number of edits.
5. Nominations do not count as votes. Support must be explicitly stated.
6. Nominators and authors can withdraw their nominated pictures at any time. This is done by adding the following template: {{Withdraw}} ~~~~. Also, remember that if more than one version is nominated, you should explicitly state which version you are withdrawing.
7. Remember, the goal of the Wikimedia Commons project is to provide a central repository for free images to be used by all Wikimedia projects, including possible future projects. This is not simply a repository for Wikipedia images, so images should not be judged here on their suitability for that project.
8. Rules of the 5th day based on vote counts on day number 5 (day of nomination + 5):
   1. Pictures are speedy declined if they have fewer than two support votes.
   2. Pictures are speedy promoted if they have 10 support votes or more and no oppose votes. (Note that if it takes more than five days to reach this threshold, the picture can be promoted as soon as it is reached.) This does not apply to nominations containing at least one ‘Alternative’ image – because it is possible that another image can overtake the one in the lead during the last days, such nominations are never closed early.
   3. Once either speedy criterion is reached, the voting period is considered closed, and no more votes may be added.
9. Pictures tagged {{FPX}} may be removed from the list 24 hours after the tag was applied, provided there are no support votes other than that of the nominator.
10. Pictures tagged {{FPD}} (FP-Denied) may be removed from the list 24 hours after the tag was applied.
11. Only two active nominations by the same user (that is, nominations under review and not yet closed) are allowed. The main purpose of this measure is to contribute to a better average quality of nominations, by driving nominators/creators to choose carefully the pictures presented to the forum.

A candidate will become a featured picture in compliance with following conditions:

1. Appropriate license (of course)
2. At least seven  Support votes (or 7  Delist votes for a delist) at the end of nine days
3. Ratio of supporting/opposing votes at least 2/1 (a two-thirds majority); same for delist/keep votes
4. Two different versions of the same picture cannot both be featured, but only the one with higher level of support, as determined by the closer. Whenever the closer is not sure which version has consensus to be featured, they should attempt to contact the voters to clarify their opinions if not clear from the nomination page.
5. Only two active delisting nominations per user, which is in addition to the limit of two active regular nominations.

The delisting rules are the same as those for FPs, with voting taking place over the same time period. The rule of the 5th day is applied to delisting candidates that have received no votes to delist, other than that of the proposer, by day 5.

The FPCBot handles the vote counting and closing in most cases, current exceptions are candidates containing multiple versions of the image as well as FPXed and withdrawn nominations. Any experienced user may close the requests not handled by the bot. For instructions on how to close nominations, see Commons:Featured picture candidates/What to do after voting is finished. Also note that there is a manual review stage between when the bot has counted the votes and before the nomination is finally closed by the bot; this manual review can be done by any user familiar with the voting rules.

Please don't forget that the image you are judging is somebody's work. Avoid using phrases like "it looks terrible" and "I hate it". If you must oppose, please do so with consideration. Also remember that your command of English might not be the same as someone else's. Choose your words with care.

Happy judging… and remember… all rules can be broken.

• To edit the list of nominations go to: Commons:Featured picture candidates/candidate list
• For a chronological list, see Commons:Featured_pictures/chronological
• For an archive of previous nominations, see Commons:Featured picture candidates/Log
• For instructions on how to close nominations, see Commons:Featured picture candidates/What to do after voting is finished
• Basic list of photography-related terms
• Quality image candidates
• Valued image candidates
• Photo challenge
• Photography critiques
• Help:Scanning