קובץ:Old hussaini dalan.jpg

תקציר

תיאור

English: Photograph taken by Fritz Kapp in 1904 with a view of the Imambara Hussaini Dalan in Dacca (now Dhaka), overlooking the tank, part of an album of 30 prints from the Curzon Collection.

תאריך יצירה

1904

מקור

http://www.bl.uk/onlinegallery/onlineex/apac/photocoll/i/largeimage63830.html

יוצר

Fritz Kapp (–1915)
תיאור	צלם
תאריך לידה/פטירה		1915
מיקום לידה/פטירה		גרמניה
פעל ב	קולקטה; דרג'ילינג; דאקה
קובץ זהויות	: Q96678658

גרסאות אחרות

רישיון

היוצר נפטר בשנת 1915, לכן יצירה זו נמצאת בנחלת הכלל במדינת המקור ובמדינות אחרות בהם תקופת זכויות היוצרים היא משך חיי היוצר ו-100 שנה (או פחות) מפטירתו.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1930.

הקובץ הזה זוהה כקובץ חופשי מכל מגבלה ידועה תחת חוק זכויות היוצרים, כולל כל הזכויות הקשורות והסמוכות.

PDMCreative Commons Public Domain Mark 1.0falsefalse

This work was first published in Bangladesh and is now in the public domain because its copyright protection has expired by virtue of the Copyright Act, enacted 2000 (details). The work meets one of the following criteria:

It is an anonymous, pseudonymous or posthumous work and 60 years have passed since the year of its publication
It is a photographic or cinematographic work and 60 years have passed since the year of its publication
It is a government work or a work of an international organisation and 60 years have passed since the year of its publication
It is a literary, dramatic, musical or artistic work and 60 years have passed since the year of death of the author (or last-surviving author)

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.

বাংলা | English | +/−

This work is in the public domain in India because its term of copyright has expired.

The Indian Copyright Act applies in India to works first published in India. According to the Indian Copyright Act, 1957, as amended up to Act No. 27 of 2012 (Chapter V, Section 25):

Anonymous works, photographs, cinematographic works, sound recordings, government works, and works of corporate authorship or of international organizations enter the public domain 60 years after the date on which they were first published, counted from the beginning of the following calendar year (i.e. as of 2025, works published prior to 1 January 1965 are considered public domain).
Posthumous works (other than those above) enter the public domain after 60 years from publication date, counted from the beginning of the following calendar year.
Any kind of work other than the above enters the public domain 60 years after the author's death (or in the case of a multi-author work, the death of the last surviving author), counted from the beginning of the following calendar year.
Text of laws, judicial opinions, and other government reports are free from copyright.

The Indian Copyright Act, 1957 is not retroactive, so any work in which copyright did not subsist when it commenced did not have its copyright restored, and is in the public domain per the Copyright Act 1911.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.

According to Sec. 72 of the "2000 Copyright Act of Bangladesh", the following acts shall not constitute infringement of copyright, namely:

(19) the making or publishing of a painting, drawing, engraving or photograph of architecture or the display of a work of architecture;

(20) the making or publishing of painting, drawing, engraving or photograph of a sculpture or other artistic work falling under section 36(c) (enumerated as "other works of artistic craftsmanship" under Sec. 2, "Definitions"), if such work is permanently situated in a public place or any premises to which the public has access;

(21) the inclusion in a cinematograph film of – (i) any artistic work permanently situated in a public place or any premises to which the public has access; or (ii) any other artistic work, if such inclusion is only by way of background or is otherwise incidental to the principal matters represented in the film;[...]